The plotting is too loose to warrant a two-hour-and-forty-minute movie, with sentimental detours and meandering subplots like the one about Sivanandi’s stolen rifle (though we do get the superb sight gag of said rifle being used as the middle stump in an impromptu game of cricket). Valli Thirumanam ), as proposed by Sivanandi, but a series of risqué item numbers by “Dindigul Rita.” The film has enough silliness to qualify as mild amusement, especially in the scenes with Bosepandi and his friend Kodi (Soori) - but these gags would work just as well as a compilation clip on YouTube. We move, quickly, to the aimless Bosepandi, MA M Phil (Sivakarthikeyan), the head of the titular society, whose responsibilities include (a) sending love notes to the local schoolteacher (Bindhu Madhavi), (b) falling, subsequently, for Lathapandi, and (c) ensuring that the entertainment event at the temple festival isn’t a devotional drama ( It’s an odd start for a comedy - after all, how do you manufacture laughs from what appears to be an honour killing? Director Ponram’s approach is to treat this narrative thread as entirely incidental to the proceedings. Varuthapadatha Valibar Sangam, which translates loosely as The Society of Happy Youngsters. Did Sivanandi (Sathyaraj), the local big shot who loves to point his rifle at people, shoot down his daughter Lathapandi (Sri Divya) because she dared to elope? That’s the kick-off point for
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